Review: Cop thriller 'Black and Blue' weighed down by predictable genre mechanics

Review: App that shows when you die at center of ambitious, yet lackluster 'Countdown'

Review: Disney's mediocre 'Maleficent: Mistress of Evil' a boring eyesore

Review: 'Zombieland: Double Tap' fails to recreate freshness of the original

Review: Netflix's twisty 'Fractured' so preposterous it kinda works

Review: Silly 'Addams Family' should win over casual viewers

Review: Creepy 'In The Tall Grass' an effective, if familiar, Stephen King adaptation

Review: Gorgeously animated 'Abominable' lacks emotional hook

Review: Netflix's 'In The Shadow of the Moon' an intriguing sci-fi frenzy that never lan

Review: Renee Zellweger gives career defining performance in "Judy"

TIFF 2019 Review: Corey Finely's excellent 'Bad Education' tackles worst school embezzle

TIFF 2019 Review: Steven Soderbergh's Panama Papers drama 'The Laundromat' a rare miss

Review: Brad Pitt's 'Ad Astra' an otherworldly experience

Review: Drawn out 'Rambo: Last Blood' ends series on bleak note

TIFF 2019 Review: Racing epic 'Ford V Ferrari' has plenty of gas in the tank

Review: Netflix gives internet sensation 'Between Two Ferns' comical movie adaptation

TIFF 2019 Review: Adam Sandler enters the Oscar race in gonzo 'Uncut Gems'

TIFF 2019 Review: Eddie Murphy is on fire in funkadelic 'Dolemite is My Name'

TIFF 2019 Review: Exceptional cast can't save underwhelming 'Knives Out'

TIFF 2019 Review: Taika Waititi blends satire and sweetness with delightful 'Jojo Rabbit'