Review: Silly creature feature 'Underwater' rises just above the surface

Review: Sam Mendes' exhilarating '1917' tackles familiar troupes with bold storytelling

Review: Boring reboot 'The Grudge' serves up first stinker of 2020

Review: Touching 'Little Women' an ambitious and wonderful update of classic novel

Review: Satisfying and enjoyable 'The Rise of Skywalker' ends 'Star Wars' on safe no

Review: Nightmarish 'Cats' proves that not every musical needs a film adaptation

Review: 'Jumanji: The Next Level' a decent game worth playing

Review: 'Black Christmas' remake awkwardly puts supernatural spin on source material

Review: Clint Eastwood's true drama 'Richard Jewell' mounted with passion

Review: Trey Edward Shults' compelling 'Waves' tracks two different narratives

Review: Entertaining and visually impactful 'Frozen II' comes across cold

Review: Surprisingly decent 'Charlie's Angels' reboot has style

Review: Anna Kendrick livens disposable Disney comedy 'Noelle'

Review: Adorable canines can't save bland 'Lady and the Tramp'

Review: Clunky and loud 'Midway' makes 'Pearl Harbor' look like a Best Picture winne

Review: Inventive and thrilling 'Doctor Sleep' shines bright

Review: Overstuffed 'Harriet' takes the safe and standard biopic route

Review: Bong Joon-ho's wild 'Parasite' is 2019's first real masterpiece

Review: Formulaic 'Terminator: Dark Fate' tries to fix convoluted series

Review: Timothée Chalamet rules over Netflix's derived 'The King'