SXSW Snapshots: 'The Oxy Kingpins' and 'Clerk'

SXSW Snapshots: 'Witch Hunt,' 'The Feast' and 'The Last Cruise'

SXSW Snapshots: 'The Spine of Night,' 'Alien on Stage' and 'Broadcast Signal Intrusion'

Review: The year that changed cinema: Top 20 movies of 2020

Review: 'The True Adventures of Wolfboy' loses its ways

Review: 'Spell' locks the characters (and audience) in mindless captivity

Review: 'Come Play' effectively blends technology with horror for spooky good time

Review: 'The Craft Legacy' casts lousy spell

Review: 'Totally Under Control' confirms and broadens Trump admin's disastrous response to Covid-19

Review: Horror comedy '12 Hour Shift' drenched in gore and bad taste

Review: Grungy 'Death of Me' feels like a death sentence

Review: Bill Murray and Rashida Jones help Sofia Coppola's 'On The Rocks' go down smoothly

Review: In the sweet dark comedy 'Spontanous' teenagers are literally exploding

Review: Absurd low budget sci-fi comedy 'Save Yourselves!' light on laughs

Review: Julie Taymor's messy biopic 'The Glorias' tells admirable tale

Review: 'American Murder' pieces together horrific tragedy through archival footage

Review: Netflix's 'The Boys in the Band' another solid transition from stage to screen

Review: Sloppy B-movie 'Shortcut' painful to endure

Review: Miranda July's 'Kajillionaire' finds warmth in the strangest places

Review: 'Misbehaviour' a true story that doesn't dig deep enough