Review: 'His House' not worth checking into

Review: 'The Haunting Of Bly Manor' has solid foundation but less scares

Review: 'American Murder' pieces together horrific tragedy through archival footage

Review: Netflix's 'The Boys in the Band' another solid transition from stage to screen

Review: Light 'Enola Holmes' proves worthy vehicle for Millie Bobby Brown

Review: Charlie Kaufman's bizarre 'I'm Thinking Of Ending Things' one confusing paradox

Review: In expansive second season 'The Politican' gets my vote

Review: Steve Carell's workplace comedy 'Space Force' barely achieves lift-off

Review: Sparks fly for Kumail Nanjiani and Issa Rae in hilarious 'The Lovebirds'

Review: Netflix's 'Dead to Me' ups the stakes and maintains momentum in wild second seas

Review: Shallow documentary 'Becoming' highlights Michelle Obama's personality

Review: Rousing 'All Day and a Night' sends mixed signals

Review: Chris Hemsworth’s action filled 'Extraction' the closest thing to a summer blockbust

Review: Colorful 'The Willoughbys' sports imaginative spirit

Review: Mark Wahlberg phones his way through dismal 'Spenser Confidential'

Review: Netflix cerebral 'Horse Girl' falls into the depths of absurdity

Review: Taylor Swift opens up in explosive and immersive new doc 'Miss Americana'

Review: Netflix's twisty 'Fractured' so preposterous it kinda works