Review: 'His House' not worth checking into
Review: 'The Haunting Of Bly Manor' has solid foundation but less scares
Review: 'American Murder' pieces together horrific tragedy through archival footage
Review: Netflix's 'The Boys in the Band' another solid transition from stage to screen
Review: Light 'Enola Holmes' proves worthy vehicle for Millie Bobby Brown
Review: Charlie Kaufman's bizarre 'I'm Thinking Of Ending Things' one confusing paradox
Review: In expansive second season 'The Politican' gets my vote
Review: Steve Carell's workplace comedy 'Space Force' barely achieves lift-off
Review: Sparks fly for Kumail Nanjiani and Issa Rae in hilarious 'The Lovebirds'
Review: Netflix's 'Dead to Me' ups the stakes and maintains momentum in wild second seas
Review: Shallow documentary 'Becoming' highlights Michelle Obama's personality
Review: Rousing 'All Day and a Night' sends mixed signals
Review: Chris Hemsworth’s action filled 'Extraction' the closest thing to a summer blockbust
Review: Colorful 'The Willoughbys' sports imaginative spirit
Review: Mark Wahlberg phones his way through dismal 'Spenser Confidential'
Review: Netflix cerebral 'Horse Girl' falls into the depths of absurdity
Review: Taylor Swift opens up in explosive and immersive new doc 'Miss Americana'
Review: Netflix's twisty 'Fractured' so preposterous it kinda works