'Lou' review: Allison Janney tests her action chops in serviceable, but stagnant kidnapping thriller

'Meet Cute' review: Pete Davidson and Kaley Cuoco connect in bizarre 'Groundhog Day' inspired comedy

'Andor' review: Diego Luna-led series brings new life to 'Star Wars' franchise

'Blonde' review: Dizzying (and brutal) Marilyn Monroe biopic offers no light

'Kinky Boots' review: Croswell’s production gets Two Stiletto’s Up!

'Pearl' review: Mia Goth goes from broke in slick 'X' origin story

'Do Revenge' review: Savvy teenage comedy has plenty of bite

'Goodnight Mommy' review: Crafty American remake is a worthy companion to the Austrian version

'The Woman King' review: Viola Davis anchors rousing but occasionally stiff epic

'See How They Run' review: Breezy whodunit spoofs Agatha Christie

Review Roundup: 'Clerks III,' 'Confess, Fletch,' and 'The Silent Twins'

'Barbarian' review: Ingenious (and totally bonkers) horror flick goes to unexpected places

'Pinocchio' review: Just another soulless and unimaginative Disney remake

'House of Darkness' review: Snappy dialogue can't save sluggish chamber piece

'Cobra Kai Season 5' review: Delivers the punches and ups the ante